Saturday, December 1, 2012

Dave Brandl



Listen to a sample of "All I Want to Say" 
Side One: 
All I Want to Say
While We'reHere
Stargazing
Keepin' Up
I Listened

Side Two:
Love at First Meeting
Los Coruna Bay
While We're Here (Reprise)
Dawn
Dedication

Dave Brandl interviewed March 2012.

Been meaning to get to this one for several months, but got backlogged with other posts.

First heard of Dave Brandl's All I Want To Say (Bear Mountain VAR020 -1977) album when I was noting all of the Colorado records listed in Acid Archives. Then, I begin to see this 1977 LP pop up on auction sites, going for a nice chunk of change.

So I decided to track down Dave Brandl.

Where did you go to school?

Alameda High School [where he was voted "Most Musical Male"]. I graduated in 1975. I went to Adams State for a year.

So what did you plan to do after you left college?

I was originally thinking that I would study music education, but to be honest, I just wanted to play music.

How did the LP come about?

I had worked with some friends and got a Teac 4-track recorder and over dubbed the tracks. I brought in a bassoon and a female vocalist. Put it together and got in touch with Steve Raydon, who helped me produce it.

Why Bear Mountain?

I picked Bear Mountain because I was going through the Yellow Pages and doing some pricing and he said he could make my record for $1.60 a piece, for a 1000 copies.

Where was it recorded?

Steve worked out of his garage. I think my LP was the only record the label ever did.

How was it sold?

I would take some over Colorado State University, and college friends at the time they would buy them. I also got a few in the local Peaches record stores, but it was mostly word of mouth.

Did it get any airplay?

Some country stations played it. I went back to Adams State and they put it on the play list college station.

Tell me about the cover art.

It's a representation of the different songs on the album. It was done by Joe Chirichigno. We were friends in high school, and played in some bands together. He is doing graphic design now in Florida.



The back pictures on the album shows you performing.

I'd play at Little Bear Mountain bars and a few solo shows, here and there. In the summers I would perform in Jackson Hole at the Jackson Lodge.


Was there ever talk of a follow-up recording?

Yeah, I actually had two other albums planned. The second one was going to be called Things I Didn't Think of the First Time, and the third one was going to be called You Thought I Was Finished, Didn't You?

So what happened?

Mostly a slap in the face of reality – it didn’t take off. I got some radio play and sold a few records, and played in a band with Steve Raydon, called Mirror and we played some shows at Herman’s Hideaway and The Pearl Street Music Hall.

What happened with Mirror?

We were together about five or six years. We never released anything, although we did meet with A&M, and met Herb Alpert and the Commodores, and moved out to California.

It was a period of time where I was shocked into reality of what it took to be a musician. My wife and I after did some USOs shows when we moved to California. The first The Frankie Lee Band, and we played at the Hollywood USO Club, and up and down the West Coast. Bob Hope actually opened for us. We were supposed to be the opening act for him, but it was his birthday and they wanted to get him on and off early.

What have you been doing now?

I'm in the computer world - programming and training. I play in our church choir in Denver.

What do you think about the collectibility of your album?

I find it amazing, actually. I think it’s more because it’s a collectible, not because of the content. I mean, it's often described as psych folk. I probably would now agree with that description, and I guess that's what people collect, now.

I get contacted by about one or two people a year, who want to buy my album. Records by Mail, and a collector out of Seattle always call to see if I have any... I only have about 30 copies left.

Thursday, November 15, 2012

Daddy Bruce (Success with Ron Franklin)




Given we are in the Thanksgiving season, I thought it would be appropriate to feature a record tribute to Daddy Bruce Randolph.

Born in Arkansas, in 1900, Randolph made his way to Denver, after years of picking cotton, and working in the neighboring coal mines--where he'd sell barbeque sandwiches to the workers.

Taking the name "Daddy Bruce" (a nickname from one of his sons), he opened his name sake restaurant in 1963, at the corner of Gilpin and 34th. Four years later he would open his Five Points restaurant.

His philanthropy was legendary...

He gave away clothes and food every year, on his birthday and on Christmas, held Easter egg hunts, and staged massive Thanksgiving dinners for the homeless.

The first documented Daddy Bruce gang feed occurred in the late 1960, for about 200 people, in City Park. The meals grew to the point that he was dishing up thousands of turkey dinners during the holiday.



In 1986, local singer Ron Franklin recorded a rap tribute, "Salute to Daddy Bruce" (same song on the flip - Success 70017). The song featured the group Success as backup singers. The record was recorded at Avalanche Studios in Denver, and produced by Jim Mason.

In 1980, his son opened Daddy Bruce Bar-B-Que, at the corner of Arapahoe and 20th streets, in Boulder (In 2012, Bruce Randolph, Jr. sold the establishment).

Daddy Bruce passed away in 1994, at the age of 94. In 1985 a section of 34th Avenue, from Downing to Dahlia streets, was renamed Bruce Randolph Avenue.

Thursday, November 1, 2012

Jerry Street

Found this Jerry Street disc via eBay, and remembered the name from a 2010 blog post over at LoneStarStomp.

According to that post, it appears Jerry did quite a bit in New Mexico and Texas, but he must have headed north in his later career, as this find is on a Golden, Colorado label.

On this disc Jerry teams up with Lloyd Green, the steel guitar ace, who appeared on records for everyone from Johnny Cash and Charley Pride, to Sir Paul McCartney.

Also of note is co-producer Buster Jenkins, who started out in Denver (on the Rocky Mountain Jamboree, and then later with his band the High Country Travelers). Buster also produced on the Band Box label before he started up the High Country label, in 1968 (producing Dewey Knight's "A Mind of Your Own," among others).


Listen to a sample of "Cold Cold Winter Comin' On"
 
 
 
Listen to a sample of "Don't Worry About the Poor Folks"

There is one other High Country/Jerry Street collaboration that I know of. "The Same Old Thing" / "Listen They're Playing My Song" (High Country 70012).

Monday, October 15, 2012

Roy Cary and The Rocky Mountain Ramblers


Listen to a sample of "You're the Only World I Know"

Another puzzler.  Here's what I have on this country/hillbilly-vibe gem:

"You're The Only World I Know" / "Roll On Buddy" (RDC 6691).

Was able to date the band as late as 1970, with two references to this group in the Greeley newspaper, (headliners for a local dance).

Discovered that a musician named Roy Cary was born in 1928, and passed away in 1979, in Denver. Found a reference to another Roy Cary, also from Denver (born in 1919), who was paralyzed due to polio.  That Roy Cary played the accordion.

Found this random picture of the Rocky Mountain Ramblers, but nothing else associated with it. Quite possible that it's an Ohio/Pennsylvania/Indiana-based group of the same name.  No date.


I did see a reference of another single by Roy Cary and the Rocky Mountain Ramblers, "Standing at the End of My World" / "Lazy Day," (JSP 6672).



Listen to a sample of "Roll On Buddy."

In spite of the mysteries, Roy and the Rocky Mountain Ramblers live on in the 1994 rockabilly CD comp Honkin' Billy, where you will find "Roll on Buddy" included.

Monday, October 1, 2012

Skiing The Rockies


Skiing The Rockies
(GrAMM SKI1001 - 1974)

Side One:
Snowbird
Park City
Jackson Hole
Breckenridge
Taos

Side Two:
Aspen
Keystone
Crested Butte
Vail
Winter Park
Steamboat Springs


I'll let you in on a little secret. I don't know how to ski.

Well actually, I've attempted to ski three times. In each attempt, it was a miracle I didn't break anything, or worse.

So I now get my thrills watching Warren Miller DVDs, or the winter Olympics, from the comfort of my couch, and live vicariously through those with more athletic ability than I.

From the folks at the Great American Music Machine (GrAMM) out of Denver, Skiing The Rockies is a collection of songs about...skiing the Rockies.

Recorded at Summit Studios in Denver the LP features the GrAMM duo of Ralph Harrison and Tim Schumacher (you'll see those names more than a few times in this blog, as they were pretty prolific).

All of these songs are pretty mainstream, and sound like instant jingles for each resort.  I guess in an attempt to appeal to a wide audience, they're all pretty generic.  Not a whole heck of a lot of personality here.

Listen to a sample of "Aspen"

This album is a very special and exciting collection of outstanding original musical works reflecting the living image, mood and personality of eleven of the world's greatest skiing areas! You will quickly recognize the brilliant work of the artist group as they portray for you, the beauty and excitement of this High Western Land! - Liner notes
 

Listen to a sample of "Breckenridge"

Lots of names credited on this album, including Margaret Andersen, Ralph Harrison, Rich Currans, Doug McKee, Craig Donaldson, Tim Schumacher, Connie Ellisor, and Dean Tellefson.

Saturday, September 15, 2012

Los Cuates



Side One:
Unas Doce Hores
¿Cuántas Horas Hay?
Qui Quiri Qui
Las Estaciones
Está Llovieno
¿Y Tu Cuerpo?
Mi Bagalú
Bailen A Mi Compás
Feliz Comida

Side Two
Los Colores
Mis Cinco Sentidos
Mira Que Tenemos
El Perito Tinto
Uno A Diez
Los Animales
Tiburón
El Parque Zoolígico
Chu Chu Chato

As the little kiddos head off to school, I thought it would be a good time to feature this wonderful 1975 Spanish-language children's LP by the group Los Cuates, out of Denver.


Released on the Fort Collins-based Cuate label (not to be confused with the Cuates label out of Los Angeles),  Mira Que Tenemos, was recorded at Audicom in Denver, and is performed by David Gonzales (drums, conga), Dale Vigil (vocals, guitar, bass, maracas), Dennis Vigil (vocals, requinto, bass, maracas), and Mike Mendoza (maracas, claves).

Some really wonderful happy music here. Not sure what their music background is, but you can tell they really want to rock out on this LP, as evident from the Ventures-inspired drums on this one:  



Listen to a sample of "Está Lloviendo"
 

Dennis Vigil (who now spells his name Denys) runs the Center for Alternative and Responsible Education, out of Lafayette.

Mira Que Tenemos is also available on CD here.

Saturday, September 1, 2012

Norma West




 Nice female country twanger.

1955 RCA Custom Pressing (RR F8OW-0011)
Home Spun Records (102)
Colorado Springs




Side One: Somewhere, Someday I'll Find You (Adeline Savage)

 
Side Two: Coax Me (Norma West)


Wednesday, August 15, 2012

The Denver Broncos

Let's get this out of the way... I am a Denver Broncos fan.

 The author (in the middle)

My home and office are decorated 365 days a year with Broncos memorabilia.
A good portion of my closet is filled with Broncos-related attire.
Even though Mile High Stadium is now exactly 900 miles away from my front door, I still scream at the TV during games, hoping the coach and players can hear me make calls.
I get weepy when they win...and when they lose.

I bleed orange.

Needless to say, I couldn't have a blog, dedicated to Colorado vinyl, without featuring those records singing the praises of the Orange Crush.

While there have been numerous musical dedications to the team, including Joe Walsh's "Rocky Mountain Elway," John Parr re-released "St. Elmo's Fire" (dedicated to Tim Tebow - "Tim Tebow's Fire"), and that incredibly catchy "Black and Yellow" remix last year, "Blue and Orange" (I still can't get that one out of my head), since this blog is about vinyl, I'll stick with that format.

In 1977 the Broncos were headed to their first Super Bowl.  To commemorate the mile high accomplishment, the city's creative types decided to celebrate in song.

The Gold Coin label featured the Broncos tribute, "The Bronco Fan," performed by Deke Adams.  I've listened to this song several times, and I swear he's saying "Orange CRUNCH."


The Bronco Fan - Deke Adams
Gold Coin Records-4957 (1978)

In probably an obvious use of available melodies, the local trio of Cunningham, Rodgers and Warren borrowed from a popular Johnny Horton ditty to record "The Modern Battle of New Orleans."


The Modern Battle of New Orleans - Cunningham, Rodgers and Warren
Crush Records - 5286 (1977)

 Also quick to seize on the moment, Tony Mandarin (Bill Michaels) and the Mile High Rockers released the orange vinyl (also available in blue vinyl) double-sided rockabilly tribute to the team "Bronco Rock," and "Mile High Rock."


Bronco Rock - Tony Mandarin
Stofer-101 (1978)

Local lounge singer Johnny Vanelli added a disco entry to the mix, with his "Broncomania" single, backed by the Colorado Brass.


Broncomania - Johnny Vanelli
Pre-vue-753 (1978)

While eventually losing to the Dallas Cowboys, on January 15, 1978, Denver continued to celebrate the AFC Champs with the release of The Year of the Broncos, a recap of highlights from the season, courtesy of KOA Radio.


 The Year of the Broncos
(Fleetwood Communications FCLP 3104 - 1978)

Probably the most notable of the Denver Broncos-related songs came via running back Jon Keyworth. In 1977 he released the uplifting "Make Those Miracles Happen" (Cartay 323232--in case you didn't know, his jersey number was 32).


Listen to a sample of "Make Those Miracles Happen." 

The following year he would release the LP Keys (Aspen label), which would go on to be remembered, not for its songs, but for use of the naked backsides of (reportedly) the Broncos players on the inside of the cover.


In 1983 the Broncos went 9-7, and finished 3rd in the AFC West. Sensing the despair (and anger) among fans, KBPI jock Don ("The Hawk") Hawkins penned "Prayer for a Fan."


Prayer for a Fan - Don Hawkins and the Moron Chubby Rumpled Choir
KBPI 42N24 - 1983

Wednesday, August 1, 2012

The Government Issue


Side One
Applause
He's My Brother
Hurray For Bach
Something
Summer Me, Winter Me
The Game
Amen

Side Two
Best Thing You've Ever Done
The Last Words of David
Mammy
Pollution
Dino's Song
We Shall Overcome
Mame

Colorado Springs boasts not only six military installations (Air Force Academy, Buckley Air Force Base, Peterson Air Force Base, Schriever Air Force Base, Cheyenne Mountain Air Force Station, and Fort Carson) , but also the North American Aerospace Defense Command (NORAD), U.S. Northern Command, Air Force Space Command, U.S. Army Space and Missile Defense Command/Army Strategic Command, Missile Defense Integrated Operations Center, Space Innovation and Development Center, Joint Functional Component Command-Integrated Missile Defense, and the National Security Space Institute.

Whether it was a marketing tool or a morale boost, several of these installations released records featuring its more talented soldiers and airmen (we'll feature several of these recordings in later posts).

In 1970 Fort Carson (which is actually celebrating it's 70th year, this year) formed The Government Issue as "expressly for the entertainment of the Army soldier and expanded to act as ambassadors to the people of the Pikes Peak region."

Released on the prolific John Law Enterprises label (710501), the group's self-titled LP keeps it pretty safe with your typical Up With People-style selections.  A few stand-out performances, including a soulful rendition of the Beatles "Something."


Listen to a sample of "Something"

"Dino's Song" is actually a cover of the Youngbloods "Get Together," not the Quicksilver Messenger Service song.  I guess they changed their mind, and forgot to tell the guy in charge of printing the LP cover.

There is one other Government Issue release, a 45 on the CEB label (10,0002-no year).
"Qui'Cest Ca (What is This)" and "Chowtime" are both happy little horn-driven instrumentals, interspersed with comic relief.



Listen to a sample of "Chowtime"

Interesting note:  Guitarist Mario Tio, who is featured here, is the same Mario Tio who went on to be one of the founding members of Chocolate Milk - the New Orleans-based funk and soul group, and who also worked with Allen Toussaint, and recorded with Paul McCartney (Venus and Mars sessions).

Sunday, July 15, 2012

Genesis and one of the greatest Colorado records - EVER.



I'm rarely surprised anymore when it comes to record finds - but I'm putting this discovery on that list.

Last year I found a standard-issue Hispanic ranchera recording on the Rayo label (Rudy Garcia and Los Rayos - Rayo 105), out of Denver. Nothing too special, I mean it was a nice genre record, so I simply filed it.


Then this year I scored a second Rayo release from Joel Scherzer - another Rudy Garcia record. But this time it was credited with Con El Mariachi Tenampa (Rayo 111). Again a nice genre piece, but nothing to write about.


Then I found Genesis.

Sweet, sweet soul. Oh my God, this still leaves me speechless.

Rarely do I gush, but this might be one of the greatest Colorado records. Ever.

Listen to "Time is All We Need"

Flipside is straight-up hard rock.  All over the place electric guitar break, throw in some organ, and wow.

Listen to "Follow the Sun"
Genesis was:
Bino Cordova - lead guitar and vocals
Gil Cordova - bass and vocals
Lloyd "Buttons" Trujillo - keyboards
Paul Garcia - drummer
Jim Quintana - percussion and backing vocals

According to what I could find, the record was made circa 1969-1970.  Any additional information would be great to know.


Rudy Garcia Y Los Rayos went on to be much more prolific - recording at least one 1974 LP on the Rayo label (self titled - Rayo 103), as well as a single on the Alice, TX Nopal label ("Te He Der Amar"/ "Un Siglo De Amor" -Nopal 804), and the Denver El Ray label (106), a cover of Little Richard's "Rip It Up."

Sunday, July 1, 2012

Dick Bodine





Side One:
Our Flag
Gave My Love a Cherry
Mr. Shorty
She's Got to be a Saint
Why Are you Marching Son

Side Two:
I'll Fly Away
The Pledge
Sixteen Tons
City of New Orleans
They're Hanging Me Tonight
Why I Love Her

This week we will celebrate our nation's 236th birthday, and I thought it fitting that I feature Dick Bodine's America LP.

Released in 1983 (Great American Records label 26101), Dick Bodine is featured on the cover--an obvious protector of the second amendment.

I knocked around these United States and this old world for over 50 years.  I've visited most countries and every continent. This album, which I hope you will enjoy as much as I enjoyed making it, tells me feelings for a people and a land.  This combination make it the greatest nation on earth, the United States of America. - Dick Bodine (liner notes)

Dick starts off the record with a history lesson on Old Glory...



Listen to a sample of "Our Flag"

There are a few other spoken word pieces ("Why Are You Marching Son," "The Pledge," and "Why I Love Her") that are equally patriotic, but Dick lets loose on a few folk standards.



Listen to a sample "City of New Orleans"

Dick is accompanied by the musically-diverse Doc Hoffman on guitar, steel, harp, banjo, 12-string guitar, bass, mandolin, electric guitar, and harmony vocals. Marty Hill handles the electric bass, and harmony vocals.

Apparently Dick has some affiliation with the Colorado Music Network, out of Aurora, as there is an address on the back of the LP, for more information on this release.

Friday, June 15, 2012

The Warming Trend


The Warming Trend
Photo courtesy of George Krieger
 

Man, I really wish I could get more info on this one.  Located who I think is a member of this recording, but she won't return my e-mails.  Also located the producer (Dugg Duggan)...and nope, not a word.

Private issue breezy femme folk on the TWT label.  


 




Photo courtesy of George Krieger
 
Flip side is a hootenanny style tribute to Colorado,written by David B. Allen and Paul Coldwell (Up With People).



I found another reference to a second Warming Trend single, "Never Ending Rain!" / "It Wasn't Very Long Ago," on the Klass label (6943). The lead singer is Mark Klass. No clue if this was released before, or after the record posted above. As noted in the autographed record sleeve below, there isn't a Mark.

Found a very small reference to the group in a 1968 Billboard.

Billboard - April 27, 1968

That same year, Warming Trend appeared with the group Action Brass, at McEwen Music Company (8460 W. Colfax) for some "Magnavox celebration."

Photo courtesy of George Krieger
 

The only other hint is an alternative picture sleeve cover, which just happens to be autographed (and also shows six group members, instead of five on the other one - note the names: Dave, Lin, Scott, Bobby and Brandy).

Friday, June 1, 2012

Flamingo Plus

I took five semesters of Spanish throughout high school and college, and have retained enough for me to cause an international incident. That said, there's something about Tejano, Tex-Mex, norteño, mariachi, or ranchera music that I've always enjoyed--even though I don't understand any of the lyrics.

Ah, the joy of being oblivious.

Much like religious vinyl, I find quite a few Hispanic records when I go digging in the dollar bins. Here lately I buy pretty much everything with a Colorado address on the label, as they tend to be passed over by folks looking to score the next big eBay sale.

That's good for me.

That said, last year a most generous fellow Colorado record collector mailed me a batch of state Hispanic singles he had no interest in.

Among the singles were three by the group Flamingo Plus.

As is most always the case, the vinyl had few clues to go on. The label was blank, however it credited James Vigil on saxophone, as well as Nick and Jane Herrera. A quick Google search discovered that a Jane Herrera, who had been married to a Nick Herrera, in Denver, passed away last year, at the age of 75. I couldn't find any other additional information (Correction - comment below says they were brother and sister).

I had two copies of "Tu Destino," however one copy had a flip of "Llorando, Llorando" (both credited to Crystal Sound Recording in Denver), while the other had a b-side saxophone instrumental, "El Carpintero Colorado," and no notation of where it was recorded. Nothing really standing out here on either recording.





However, a third single, from what appeared to be the same group, sounded nothing like the other two. While "Solamenta Una Vez" is your standard bolero issue, the flip, the bilingual "Te Queiro" was heavy on organ vibes, and rocked out.

Sweet.




EDIT 7/3/12: Recently discovered another Flamingo Plus record, which was offered to me from a wonderful overseas seller.
Another cool rocker...

"Scream" / "Teach Me"
CFS 832 (no label name)

Tuesday, May 15, 2012

Five Bucks, Four Shades, and Five Peaks

 The Four Shades
Clockwise from top:  Gerald Gantt, Robert Stallworth
Casey Hynes, and Joel Scherzer

 Interview with Robert Stallworth and Joel Scherzer conducted January-March 2012.

Last year I received a cryptic e-mail from a record collector who told me about a doo-wop single recorded in Colorado, or one that had ties with someone in Colorado. The single, "Alone and Blue," by The Five Bucks, blew me away. In all of my years of collecting, I had never heard the single. But what caught me as odd was while the sound was something straight out of the 1950s, the actual single appeared to be, at least, issued in the 1970s.

I tried every possible avenue to locate information on the group. Who were these guys? Why was there absolutely no information on this record?

So, after almost a year of searching, I contacted my dear friend, and fellow Colorado record collector, Joel Scherzer.

"Yeah, I know about the Five Bucks," he told me. "I put out that record."

Well how about that...

In the mid 1970s, Joel and fellow music lover, Robert Stallworth, who was attending medical school in Boulder,  teamed up with Casey Hynes, a professor at CU-Boulder, and fellow student Gerald Gantt, to occasionally sing doo-wop tunes--a genre they all loved. They soon decided to form their own group, the Four Shades, and start up their own label, Race Records.

The first release from the group was "Yes Sir! That's My Baby," and the b-side, "Stormy Weather" (Race 1000).


Listen to a sample of "Yes Sir! That's My Baby"

Looking for additional material to release on their new label, Scherzer looked to Stallworth's extensive record collection--and several acetates of unused material from R&B groups, whose real names are lost to posterity.

"While looking for old records in Gary, Indiana in the 1970s, I came upon three acetates, possibly recorded in the 1950s, of unknown and unnamed singing groups," said Stallworth. "The songs were "I Got Goofed," "Just Rhymes," and "My Mama Done Told Me." When we were putting together our label, we decided to release these, and give the group the name of The Five Bucks."

"I Got Goofed" and the flip "Just Rhymes" was the second release for the label (Race 1001).


Listen to a sample of "I Got Goofed"

Needing a fourth song to put out a third single, the duo used a 1971 recording Stallworth had made while a student at Millikin University.

"We never performed anywhere, we just sang together for fun. I had a radio program, and a crude way of recording at the station. So one night I asked the guys to come up and sing a song. We decided to do our version of the Delacardos, "Got No One."

Along with Stallworth, the members of the group were lead singer Gregory Purvis, Nelson Harvey, Ronald Thompson, and Charles Fields.

"After the recording, I decided to add a sixth voice," Stallworth said. "I added a falsetto tenor top to the background."

The song was renamed "Alone and Blue," and was the b-side to "My Mama Done Told Me" (Race 1002).



Listen to a sample of "Alone and Blue."


 The Four Shades would record just one more single, "Let It Please Be You"/"I Thought You'd Care" (Race 1003--red vinyl).


The group eventually broke-up, after Gantt headed off to graduate school, and the other members pursued other interests.

 In 1987, Stallworth and Scherzer teamed up again to release "Sittin' on the Porch"/"Hair-Net" (Jay-R 100). The record was credited as the 5 Peaks.

"I only minimally knew Maurice Simpkins at the time of the Race releases.  I was in Colorado and Maurice was in Chicago," Stallworth said.  "I did not really reconnect with Maurice until after I moved back to Illinois, which was in 1982.  Maurice and I were friends again by 1983.  One day while I was at this apartment, I noticed an acetate on the floor behind his living room couch.  It was "Sittin' On The Porch" as done by Maurice and his group, The Five Chimes.

"I asked Maurice if he could get some of his singing friends to record two songs and I would have them pressed up.  I asked Maurice if he could re-do "Sittin On The Porch" and he agreed, since it was a song which he already knew."

 "Sittin' on the Porch" was a departure for us in that the recording included instrumental accompaniment.  Robert sang lead and overdubbed the bass part.  I didn't sing on this one, but I came up with the name and design of the label, the name of the group, and also helped with the distribution," said Scherzer. "It got airplay on various radio stations around the country, most notably WCBS-FM in New York."

The song was released on the Jay-R label (JR 1000), and was later included in the Heavy on Doo-Wop CD series.  


 
Joel Scherzer lives in Pueblo and runs a successful online used record operation. Robert Stallworth is now retired in Nevada, after a career in medicine. Casey Hynes divides his time between Colorado and Paris, France. Gerald Gantt's whereabouts are unknown.

Tuesday, May 1, 2012

Creighton Jazz Ensemble

Side One:
Spotlighter
Windsong
Getting Straight
Can't Take My Eyes Off of You
The Stripper
Close to You
Totem Pole
Spelunker's Folly

Side Two:
Black Magic Woman
The Swizzler
Suburban Soul
The Way You Look Tonight
Funky Turtle
Mantilla Lace
Easy Mover

Received this album from Dave Ray, owner of Beat Pharm, the uber-cool record store, located on Union Avenue, by the library, in Pueblo. Could spend all day in there.

Dated 1972, and under the direction of R.L. Bollig, the 32 member Creighton Jr. High Jazz Ensemble of Lakewood (saxophone, flute, trumpet, trombone, piano, bass, and drums) sounds more like a junior high assembly stage band, than an actual jazz group, but I won't judge the kids too harshly.

I usually don't go for school band things, but this one intrigued me, if only for the fact that the kiddos do an spirited version of "Black Magic Woman."


The album appears on the IM record label of Denver (IM-10641-1972). A quick search of the address finds that it's now home to an insurance company.

1863 S. Pearl - former home of IM Records

By the way...I grew up attending what was then called junior high school, so I'm not sure when they became "middle schools," or when they decided to go up to ninth grade in some parts of the country. Back in my day, ninth grade was high school, but I digress.

Sunday, April 15, 2012

Trikk/Trick

Trikk (1988)
Clockwise from top: Patrick Smith, Donte' Smith,
Al Martinez, Mark Martinez

Al Martinez interview conducted March 2012.

In 1988 Al Martinez’s life changed forever when he received a phone call from a radio station deejay in Pueblo.

“Magic FM disc jockey JJ Valentine played a record we made, and he said the phones lit up,” he said.

That record was actually a cassette demo of “Tonight You’re Mine,” a song he and childhood friend Patrick Smith put together with Patrick’s brother Donte', and Al’s brother, Mark. The group sent out the demos to local stations in hopes of getting airplay.

Calling themselves Trick (Patrick’s nickname), the Colorado Springs-based group, which formed just a year earlier, quickly released “Tonight You’re Mine” as a 12” single (Upward Thrust - Trick01 - 1987). The disc was recorded at Startsong Studios, in The Springs, and produced Rich Mouser.


Listen to sample of "Tonight You're Mine"


“We shot the cover of the single out at Prospect Lake. The original picture had us standing on the ice in the middle of the lake, but the shot really didn’t work. So we used my 1976 Corvette.”

“Tonight Your Mine” caught the attention of the Aanco record label (which in 1983 released Norbie Larsen’s I’d Rather Be in Colorado). The record brass liked the sound, but not the spelling of the band’s name – changing it to TRIKK.


Side One:
Tears
I Can't Wait Forever
Tonight You're Mine
Do You Like It

Side Two:
Never Say Never
Midnight Lover
I Can't Get Used to This Feeling
Still Waiting

Al Martinez, along with Rich Mouser, produced the group's first LP, Never Say Never (Aanco 28802-1988), and quickly released it to a national audience. After getting favorable attention from Radio and Records magazine, the album would generate three singles from the mellower cuts on the record, "Never Say Never," "Tears," and “Tonight You're Mine," and one of the dance tracks, "Midnight Lover."


Listen to a sample of "Midnight Lover"

“Tears” would go on to be #1 on Magic FM’s countdown,” he said.

The band caught the attention of Bertie Higgins (“Key Largo” fame), who wanted to record the song “I Can’t Get Used to This Feeling.”

“Our record company tried to put that deal together, then Bertie wanted us to sign the publishing rights over to him. I told Aanco, that if Bertie records a demo, and if it’s better than mine, then he could have it. He didn’t take the deal.”

In 1991, A&M records called a meeting with the group in Denver.

“They told us we were very marketable, and that our sound was good, but they were moving more toward alternative music, more grunge. They asked if we could go that route with our music. We tried that sound, but it just didn’t work. They ended up going with the Gin Blossoms and Blind Melon.”

"That same year we went to Seattle and recorded what was to be our next release, This Time."

The LP spawned two singles, “I Love Italian Girls,” and the title cut.

“Both got airplay in Iowa,” Martinez said.

After six years together, the band decided to take a break. Patrick headed to law school; Al got married and opened his own studio. The hiatus would last four years, when, in 1998, Trikk reunited with Eddie Adkins on guitar, and Dave Copeland on bass. The group would soon welcome Dave’s brother, Lyndon.

“About the time we went into the studio to record The Final Battle, I started concentrating on songwriting, engineering and production,” said Martinez. “The band felt that Lyndon brought a vocal style to the group that would elevate us up one more notch—which it did.”

“The album can be best described as kind of a 80s retro sound – stuff that influenced us when we were kids. We put out samplers around the Colorado Springs area, and felt really good about the project.”

But friction among the members started to unravel the group, and the final CD was never released.

“The real issue the group was having, was a divided loyalty over which songs would be on the album. I think Dave felt pressure to side with his brother, Lyndon. Hence you have a lost of interest, and that’s when Lyndon and I began to work on solo projects. I then had an opportunity to get to Los Angeles, and I took it, and that was pretty much it.”

Of the original members, Al Martinez went on to open his own studio (Innovative Studios), where he continues to record his own music. Patrick Smith is a lawyer in Portland. Mark Martinez has his own landscaping company in Colorado, and Donte' is an executive for Popeye’s Chicken.

Last year the band received a resurgence of interest, thanks to – Justin Bieber.

“His fans would Google his hit “Never Say Never” and our song would come up. Of course, they aren’t one in the same.”

Sunday, April 1, 2012

Evangelist Elma and the Children of Truth

Side One:
Get Ready
Fill My Cup
I Can't Help But Serve the Lord
O Happy Day
Sweet Sweet Spirit

Side Two:
Swing Down Sweet Chariot
God is So Real
Sermonette
Get Ready

I'm a sucker for gospel albums. While I haven't been a church-goer in decades, I nonetheless understand the heart and soul that goes into these records. That, and the fact that they're the most overlooked, and plentiful pieces of vinyl at most thrift stores will make the genre one I probably post more than occasionally on here.

The local gospel LPs I usually find are fairly generic, with Osmond-looking families, posed in matching clothes, and a matriarch in a gravity-defying beehive. As I almost always bring my portable turntable when I hunt for vinyl, it becomes apparent rather quickly that most of these albums will have sanitized songs, and really nothing worthy to write about.

This was not the case when I put my needle on "Get Ready (Jesus is Coming)."


Listen to sample of "Get Ready (Jesus is Coming)"

Elma Howze began her preaching career in 1950. The first House of Prayer started in her living room in Colorado Springs, in 1974. It soon moved to 203 E. Bijou (the current location of the YMCA, and across the street from the First Presbyterian Church), and later located to 324 N. Wahsatch.

God Is So Real was pressed on the prolific Colorado Springs-based John Law Enterprises record label (4105N10--no year), which was known for releasing numerous local Christian recordings throughout the 1970s. Since the songs were recorded at the church, the production is pretty dismal, and obviously best experienced live.

Michael Harp is the stand out performer, as the lead tenor in the Children of Truth. He's backed by Denise Waldon, lead soprano; Eddie Philon, barritone; Deborah Vaughn, 1st alto; Metta Huff, 2nd alto, and Demitta Clausell, 2nd soprano. Musicians include Fred Huff, drummer (and album producer); Beverly Harp, piano; David Vaughn, lead guitar, and Paul Jackson, bass.


Listen to sample of "God is So Real"

Elma Howze left Colorado Springs in 2001 to form the House of Prayer in Mcintosh, Alabama.